Line 6 offers an array or award-winning music creation products from guitars and amplifiers, to effects, effects processors, and recording interfaces. Renowned for its studio and stage-standard gear, Line 6 invented digital guitar amp modeling technology in 1996, and currently is the number one developer of guitar amps used by pros and hobbyists.
Line 6’s lead industrial designer, Dale Wagler, and the rest of the engineering team spend an average of five to six hours per day working in SolidWorks, each using a 3Dconnexion 3D mouse to design and test their products. “When you’re working in a complex application hours on end each day, working as efficiently as possible has a tremendous impact on the design process,” says Wagler. Using his 3D mouse, “I move around models in assemblies so much, that not having to stop what I am doing and click and drag, and scroll the wheel, is the biggest benefit.”
For the past five years, Wagler and his team have been using 3Dconnexion 3D mice to design their products, from guitar and bass amps, to recording interfaces and stompbox pedals. Most recently, the team worked on the design of the Relay G-series digital guitar wireless system used by Steve Stevens with Billy Idol, Peter Stroud with Sheryl Crow, and Sarah McLaughlin on stages across the world, as well as the next generation of Variax modeling guitars – Variax designed by James Taylor. Wagler drives the conceptual stage of products and then works closely with the engineering team to finalize the working design. According to Wagler, 3Dconnexion’s 3D mice have had a positive impact on the quality of their designs and the team’s overall productivity. “You can do these things with a standard mouse, but they are not as sure-fire. With the SpacePilot PRO, I can move around a model and rotate an assembly with greater ease – as if I’m holding it in my hand.”
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